Thursday, October 30, 2008

raising hell on halloween

11 Things: Raising Hell on Halloween

Thursday, October 30, 2008

1. "Highway to Hell" (AC/DC)

"No stop signs, speed limit/ Nobody's gonna slow me down ..."

Same: road gas prices have taken.
Immortalized here: sfgate.com/ZFFJ.

2. "Straight to Hell" (The Clash)

"It ain't Coca-Cola, it's rice ..."

Same: direction economy has taken.
Sampled here: sfgate.com/ZFFK.

3. "Ego Tripping at the Gates of Hell" (The Flaming Lips)

"I was waiting on a moment/ but the moment never came ..."

Same: action Congress has taken.
Blended here: sfgate.com/ZFFL.

4. "To Hell With Poverty" (Gang of Four)

"To hell with poverty/ we'll get drunk on cheap wine ..."

Same: attitude city has taken.
Screamed here: sfgate.com/ZFFM.

5. "Bat Out of Hell" (Meat Loaf)

"Breaking out of my body/ And flying away/ Like a bat out of hell ..."

Same: drunken karaoke joy I've taken.
Inspired here: sfgate.com/ZFFN.

6. "Hell Yes" (Beck)

"Yes/ Hi/ I like your bass/ Your beat is nice ..."

Same: Obamarama joy Bay Area has taken.
Applauded here: sfgate.com/ZFFO.

7. "Where the Hell Is Bill?" (Camper Van Beethoven)

"Maybe he went to see the Circle Jerks."

Same: place Bill was taken.
Located here: sfgate.com/ZFFP.

8. "Where in the Hell Did You Go With My Toothbrush?" (Reverend Horton Heat)

"You didn't leave a bar of soap when you left me/ You didn't even leave a towel so I could dry my face ..."

Same: place dental benefits were taken.
Brushed here: sfgate.com/ZFFQ.

9. "Catch Hell Blues" (The White Stripes)

"If you go lookin' for hot water/ Don't act shocked when you get burned a little bit ..."

Same: flak city has taken (for moving Halloween).
Caught here: sfgate.com/ZFFR.

10. "Aloha From Hell" (The Cramps)

"Gonna take a week off/ Gonna go to Hell ..."

Same: place holiday airfares were taken.
Enjoyed here: sfgate.com/ZFFS.

11. "Hell Is for Children" (Pat Benatar)

"Because hell/ Hell is for children ..."

Same: place I was taken.
Covered here: sfgate.com/ZFFT.

- Tim Sullivan, tsullivan@sfchronicle.com

http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/10/30/NSQ613OTO9.DTL

This article appeared on page G - 3 of the San Francisco Chronicle

Thursday, October 23, 2008

the dirty hairy show

11 Things: The Dirty Hairy Show

Thursday, October 23, 2008

What do you get when you experiment with art, music, film, sex and hair? You get the Autista Art Collective and the Oxenrose Gallery collaboration "The Dirty Hairy Show." Autista curator David Charles elaborates on the show's forthcoming mashup of serious, sexy and fun:

1. The influences: Retro-futurism. Metaphysical naturalism. The films of Alexander Jodorowsky. The "Vampyros Lesbos" soundtrack. Brazilian soft porn from the '70s.

2. The ideas: Back in the 1970s, experimentation with art, music and filmmaking reached its peak. So did the volume of women's hair. Both seemed like interesting grounds to cover.

3. The collective: Autista considers itself a refuge to produce work so out of touch with reality that it makes you wonder if there's actually a bit of autism in all of us. (To learn more, visit www.autista.tv.)

4. The international: We'll be showcasing the work of 14 of Brazil's most notorious up-and-coming artists, such as Elisa Sassi, Carlos Dias, Tinico Rosa, Ramon Martins and Fefê Talavera.

5. The national: Special guest artists include film director Anna Biller, Los Angeles multimedia artist Dian-Sofia and San Francisco imaginaire Melinda Gorham.

6. The art: Projections of Anna Biller's indie-hit "Viva!" Giant neorealistic paintings from Manuel Goma. Human-hair sweaters by David Charles and Cris Seixas. Intricate line drawings by Vince Montelongo. Interactive ponytails by Gorham. Klimt-inspired women by Martins. Sassi will also be painting the walls of Oxenrose with her devilish furry creatures.

7. The music: Manfred Hübler & Siegfried Schwab performing "Vampyros Lesbos." Armando Trovaioli. Berto Pisano. Roberto Pregadio and Gert Wilden & Orchestra performing "The Schulmädchen Reports."

8. Favorite hair color: Strawberry blond.

9. Favorite 1980s Brazilian soft-porn actress: Cláudia Ohana.

10. The philanthropy: A large portion of Autista sales go to help autistic children in Brazil.

11. The opening party: "The Dirty Hairy Show" opens 8-11:30 p.m. Sat. and runs through Jan. 3. Oxenrose Gallery, 448 Grove St. (415) 252-9723. www.oxenrosesalon.com.

- Tim Sullivan, tsullivan@sfchronicle.com

http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/10/23/NS1113L0ML.DTL

This article appeared on page G - 3 of the San Francisco Chronicle

Friday, October 17, 2008

unbelievable!

Friday, October 17, 2008
The Red Sox make it to midnight
--------------------------------------------------------------------------------
By Bill Simmons / ESPN

We were having the funeral for the 2008 Red Sox. Heck, I even gave one of the eulogies. Called my dad during the seventh inning for the requisite, "Yup, we just didn't have it this year," conversation and everything.

My father and I covered all the bases in that phone call. The Sox were too banged up. They missed Manny. They didn't have enough reliable relievers. They had too many young guys with Schiraldian looks on their faces, too many pseudo-fans in the stands, too few free spirits in the dugout. They never should have let Josh Beckett pitch to those last two batters in Game 2. They never should have put Mike Timlin on the playoff roster, much less brought him in for the 11th inning of Game 2. And now, they were going down with a whimper. They were going to get swept in the middle three games at home, three humiliating losses to their formerly scrawny stepbrother in the AL East. Our boys seemed fine with it, and that was what really troubled us. Who was this team? Where were the guys I watched for 6½ months? Were the defending champs really handing over their title without a fight?

I remember uttering the words, "I wanted us to win tonight if only because it would have been another two days where I didn't have to think about Matt Cassel." I remember Dad admitting, "I turned it off 20 minutes ago; I'm watching 'ER.'" I couldn't even blame him. We hung up.

And yet ...

I didn't turn off Game 5. I did the old "half-watching it, going through e-mails and not getting totally invested even though I totally was" thing. When Tampa Bay's Grant Balfour allowed two baserunners in the bottom of the seventh, I would have been more excited with Dustin Pedroia coming up and David ORRR-tese (as Buck Martinez keeps calling him for reasons that remain unclear) on deck if Big Papi hadn't passed away about three weeks ago. During an earlier inning, one of my Red Sox e-mail buddies wrote after yet another Papi whiff, "I'd rather have Brandon Moss or Jeff Bailey or Matt Stairs batting third for us. Papi is not just useless, he's visibly, obviously, pathetically useless." I love Papi and couldn't even muster a counter-argument. You can't hit for power with a bum wrist. You just can't.

Meanwhile, Pedroia was battling Balfour. And something weird was happening. With no reason at all to believe, the Fenway fans were standing and cheering and willing Little Man to get a hit. This was an unexpected old-school Fenway crowd, like the ones we had before they turned Fenway into a theme park and it became acceptable for everyone to joyously sing the "So good! So good! So good!" part of "Sweet Caroline" in the eighth even if the Sox were trailing by eight runs at the time. By Game 5, with the season stumbling to an end and the demand for tickets waning, the Rich People Who Go To Games Just To Tell People They Went weren't so interested in going, and suddenly, Fenway was Fenway again.

Little Man ended up ripping a line drive to right field that Gabe Gross considered diving for, froze for a split-second, then allowed to bounce 3 feet in front of him. Thank you, Gabe. The Sox were on the board. Now, Papi was coming up. Saddled by the aforementioned bum wrist, poor Papi can crush only two pitches for power anymore -- a fastball right in his unrecognizably small wheelhouse, or an off-speed pitch on the lower half of the plate that he can pull -- and for some unknown reason, that kooky Aussie Balfour decided to throw that fastball to him. Which was summarily crushed into the right-field stands, one of those bombs when the camera guy above home plate has to zoom back to find the ball. Just like old times. And that set up my single favorite announcing moment of any baseball comeback:


"And it's a seven to FOUR ballgame!"


Now, Fenway was rocking and rolling. Again, just like old times. I called my dad to make sure he was watching. "Nah, we're still watching 'ER,'" he said. "Call me if they get closer." (At this specific point in time, I didn't realize I would be making fun of him forever for prioritizing Maura Tierney's final "ER" episode over the single most unbelievable comeback in Red Sox history.) Even with the momentum shifting, we needed three more runs and had nobody to pitch the ninth since Jonathan Papelbon already had gotten three outs and never pitches more than two innings because the Red Sox rightly subscribe to the "it's a marathon, not a sprint" philosophy with younger pitchers. After Paps cruised through the eighth, with a potentially rocky top of the ninth looming, I was thinking one thing: "Please, for the love of God, I hope the Rays use Wheeler to get seven outs; that's our only chance."

And that was exactly what they tried to do.

See, I know Dan Wheeler. He spent much of the 2008 season on my AL fantasy team as Troy Percival insurance … which, of course, ended up coming in handy three times. I watched Wheeler pitch many an eighth or ninth inning, suffered through his occasional failures, enjoyed his successes and never trusted him for a damn second. There are two kinds of closers: the lights-out guys (like Papelbon), and the hold-onto-your-seats guys (like Wheeler). When you need three improbable runs, you want the second guy out there. He's the guy who might get nervous. He's the guy who thinks to himself, "Deep down, I know I'm just a very good set-up guy masquerading as a half-decent closer." When the great comebacks happen in baseball, they usually happen with these specific types of guys on the mound -- Donnie Moore, Calvin Schiraldi, Bob Stanley, Jose Mesa, a long-in-the-tooth Rob Nenn -- the guys who can be broken, the guys who can absolutely be taken deep in the right spot. I didn't care that Wheeler saved the Rays by getting 10 huge outs in Game 2. This was different. This was Fenway. This was, "I'm the only person standing between the World Series and one of the great collapses in modern baseball history." This was a spot for Mariano Rivera, not Dan Wheeler.

Jason Bay came up to lead the bottom of the eighth. I like Bay. He has been very good. But if you honestly think I wasn't swearing at Manny Ramirez and Scott Boras at that moment, you don't know me well enough. Manny would have had Fenway swaying like a bridge during a hurricane. Manny would have had the Rays' fans quaking in their boots. Manny absolutely, positively, unquestionably would have gotten on base. (Of course, Manny would have hit fourth, not fifth, but whatever. I can't look at Bay and not think of Manny. At least not yet. Bay is like the dutiful, pretty second wife who does everything right … and yet, I can't stop thinking about the soul-wrenching tramp who married me first and broke my heart. I wish it wasn't that way, but it's going to take some time. The fact that Manny finished the 2008 playoffs with an OPS that was almost as high as my freshman GPA in college didn't help.) And if Bay failed to get on base, I would have punched some things and complained about Manny again.

But our favorite Canadian import walked. Or should I say, "He stood there while a petrified Wheeler threw four straight balls." Either way, nice job by Bay. That brought up J.D. Drew, my 2007 nemesis, the guy who hit the $14 million grand slam against Cleveland last October, the guy who carried us in June, the guy who eventually broke down just like the Dodgers and Cardinals fans promised he would. I have changed my opinion on Drew roughly 350 times in 18 months. This time, amazingly, astoundingly, I was feeling pretty good. If I learned anything about Drew over the past two years, it's this: You have to start every clutch Drew at-bat thinking about the worst things that can happen -- in this case, a double play or a called third strike -- and once you cruise through that process, it's OK. Does this make sense? Of course not. I'm the same guy who watched the last three innings of this game sitting in the exact same spot with my laptop on my lap, my feet on an ottoman and my right foot crossed over my left foot. But Wheeler had to throw a strike, and Drew crushes fastballs when he knows they're coming …

BAM!

"And it's a seven to SIX game!"

That's right, we had the $14 million grand slam in 2007, and now, I'm starting to think the next $14 million was a downright bargain for 2008. I might buy one of those Drew T-shirt jerseys before everything's said and done. Don't rule this out. Anyway, Fenway went absolutely insane. Like Games 4 and 5 of the 2004 ALCS against the Yanks all over again. Finally -- finally! -- we were defending the 2007 title. I quickly called my father again to make sure he wasn't watching "The Mentalist" or something. "J.D. Drew!" he screamed. "I always liked him!" So much for Maura Tierney.

That same inning, a few minutes before Mark Kotsay belted a double off B.J. Upton's glove in center, I started thinking we could survive Game 5 even after TBS flashed one of those ominous "Don't delude yourself, this would be the biggest comeback in playoff history" graphics. Francona mercifully pinch-hit Sean Casey for Varitek, which was slightly more dignified than just shooting him in the head. (Since May 22, Varitek is hitting something like .178. I'm not even making this up. When I made my "Silver Linings for the End of the Red Sox season" list in my head in the fifth inning, "I don't have to watch another Varitek at-bat this season" narrowly edged "I don't have to worry about Mike Timlin pitching in a close game again" for the No. 1 spot.) I would have wagered anything on The Mayor coming through, but he struck out. Two outs. That's when Kotsay followed with his double.

Now Coco Crisp was up. He's trick or treat. He's like a craps table that just opened and hasn't had a dice thrower yet. You just never know with Coco. I would have believed a three-pitch strikeout could happen. I would have believed a double into the gap. I would have believed a weak grounder to end the inning. I would have believed an 11-pitch at-bat culminating in the game-tying single to right field. Every scenario is in play with Coco. That's just the way it is. This time around, we rolled an eight to establish our craps point, then spent the next 10 dice rolls (or in this case, pitches) trying to hit that point … and wouldn't you know it, on the 11th roll, he came through with the game-tying single. Ladies and gentleman, the Human Craps Table, Mr. Coco Crisp!

Of course, there was one problem lurking over everything: We still didn't have anyone to pitch the ninth. Or the 10th. Or any other inning. Rookie Justin Masterson started the ninth by default under the "if they brought out Timlin or Javy Lopez, there would have been a riot" corollary. The good news: Masterson possesses semi-electric stuff with a vicious sinker that causes an uncanny number of ground balls. The bad news: He has been a reliever for only three months. Hence, he's one of those Tightrope Guys -- you never feel safe with him, but he has a knack for inducing killer double plays at the perfect time. Which was exactly what happened here: He put two guys on and briefly sent Fenway into "Oh God!" mode before suckering the Quietly Terrifying Carlos Pena into a spine-crumbling 4-6-3 to end the inning.

Exhale. Inhale. Exhale.

The Rays brought in "flame-throwing" lefty J.P. Howell to start the ninth against Little Man and David ORRR-tese. (Note: I'm not sure what happened with the TBS announcing crew this series, but Ron Darling sounds like a cross between Gene Simmons and James Woods, and every time Martinez unleashes one of those smoky laughs, I think of the reader who compared him to Elmo Blatch in "Shawshank.") If you didn't think Big Papi was injured before this at-bat, you changed your mind when he tried to bunt for a hit with one strike. That was like watching Larry Bird pass up a wide-open 3-pointer to take a 19-footer. I don't want to talk about it.

After Papi feebly whiffed on four pitches for the second out, Kevin Youkilis slapped a grounder to Evan Longoria -- a wonderful player and the only acceptable answer to the question, "Which American Leaguer would you want if you were starting a team from scratch?" -- who made a terrific back-handed stab and then flubbed the throw. The ball bounced over Pena's glove and into the stands, sending Yook to second and spawning a fantastic replay of Joe Maddon staring out onto the field like one of the Fortune 500 CEOs watching the Dow drop another 500 points. Like, he knew it was falling apart and there was nothing he could do, only there was a dugout camera 3 inches from his face.

That was when Maddon made a crucial mistake by walking Bay to pitch to Drew. Again, I like Bay … but he spent his career playing for 65-win teams in Pittsburgh and just watched Manny dominate the NL playoffs to the point that teams were pitching around him like he was the oversized kid in a Little League game. At least see whether he's anxious, right? At least see whether he'll chase a couple of high fastballs and a slider in the dirt. Also, why would you want to pitch to someone who just homered and was 4-for-7 against Howell in his career? Why not pitch cautiously to Bay, see whether you can get him out and, if you do, walk Drew and put the game in the hands of Jed Lowrie and Kevin Cash? Wait, why am I complaining about this?

You know the rest: Drew cranked a single over Gross' head, Youkilis pranced home, screwed up his steps and almost blew out an ACL jumping on home plate, and then everyone congregated into a Walkoff Mosh Pit as "Dirty Water" cranked from the loudspeakers and the Fenway faithful jumped up and down. The Boston Red Sox had lived to fight another day. More importantly, the champs decided they were going down swinging. Win or lose this weekend, that's all we wanted. Show some pride. Show some heart. Show us last season meant something. And they did.

Now my phone was ringing off the hook. Just like old times. My father was claiming he had watched the whole game, never knew about Maura Tierney's last episode and stopped watched "ER" three years ago. My buddy Bug was raving about the old-school Fenway crowd and wondering whether we could create a Red Sox Fan competency test for future playoff games. The calls and e-mails kept coming. Somewhere along the line, I found myself thinking about the poor Tampa fans and their first Stomach Punch game. That was as brutal as it gets. A dagger to the gut.

Look, any neutral baseball fan should be rooting for the Rays in this series. They proved the flawed and immensely messed up sport we call "Major League Baseball" can still work competitively -- as long as the Have-Nots hire the right guys, draft wisely and make low-risk free-agent bets on the right players. Maybe they can't compete year in and year out, but if they play their cards right, things can crest every few years and they can make a run against the Haves. The Rays were the best story in the AL this season, the Bizarro Yankees if you will. They built something. It took some time -- actually, too much time -- but when it happened, it happened. They're so loaded that a St. Petersburg reader named Darren needled me during the sixth inning by saying, "Don't be down, Bill, just think of it this way: Your 2008 Sox just lost to your entire 2010 roster. Consider this a glorified scouting mission."

Normally, I would save such an e-mail and get my revenge in a mailbag or something if things happened to turn. Not this time. When the Sox roared back to send the series back to Tampa, for the average baseball fan with no vested ties, it probably was like watching South Bend charge back from 20 down to break Hickory High's hearts. You can't root for that and you shouldn't.

So let's just agree a memorable baseball game happened Thursday night. It delighted a large group of people and devastated a much smaller group. Everyone else marveled at the comeback and probably thought the outcome was unfair, considering the payrolls and the histories of the respective franchises. Unbelievable, memorable, but slightly unfair. And that's fine. I just know we're headed for one more fascinating game and possibly two. Can the Rays rally from one of the most demoralizing defeats in baseball history? Can the Sox capitalize on their momentum like they did against the Yankees four years ago? Can I survive a few more Varitek at-bats without gargling lighter fluid? Will my father ever recover from Maura Tierney's departure from "ER"? Will Drew earn the third year of his contract a year ahead of time? Will Josh Beckett crack 93 mph on the radar gun? Will James Shields earn the name "Big Game James"? Can the Rays possibly keep hitting after scoring 34 runs in the past four games? You have to admit, this sports weekend suddenly became much more interesting than it was 24 hours ago.

One last thing …

The Aaron Boone homer happened Oct. 16, 2003. The 19-8 thrashing that gave the 2004 Yankees a 3-0 lead in the ALCS happened Oct. 16. The Indians jumped to a commanding 3-1 lead in the ALCS on Oct. 16. Let's just say I wasn't that enthusiastic about Boston's chances on Oct. 16, 2008, although I didn't remember until watching SportsCenter on Friday morning that Boone's homer actually happened 16 minutes after midnight. (Why didn't I realize this? Because I blacked out that night for about an hour. You think I'm kidding. But Thursday night, as far as I knew, Boone hit the homer on the 16th.) As the comeback swung into motion Thursday, I found myself glancing at my cable box's clock and rooting for it to display 9:00 my time (midnight on the East Coast). I didn't think we would get there, but when Pena was batting in the ninth, there were only a few minutes left on the 16th. It was like watching a New Year's Eve countdown. 8:54. 8:55. 8:56. Then Pena grounded into that 4-6-3 and guaranteed that, yes, the Red Sox were getting out of Oct. 16 alive. They made it to midnight. In fact, if Game 5 were a movie, that's what I would call it: "They Made It To Midnight."

Over everything else that happened Thursday night -- Balfour throwing that fastball to Ortiz, Longoria botching that throw, Drew taking Wheeler deep, Youkilis awkwardly hopping on home plate -- I will remember staring at that clock and rooting for Oct. 17. They always said Red Sox fans would care a little less after we climbed the mountain once or twice, that it wouldn't mean as much, that it couldn't possibly mean as much. That's not true. It will never be true. You either love sports or you don't.

Bill Simmons is a columnist for page two and ESPN The Magazine. For every Simmons column, as well as podcasts, videos, favorite links and more, check out the revamped Sports Guy's World.

Thursday, October 16, 2008

guilt by association

11 Things: Guilt by association

Thursday, October 16, 2008

1. Politics: The Weather Underground's name came from a Bob Dylan song. I listened to Dylan recently. I'm also frequently homesick and often have the blues, so obviously ...

I'm guilty!

2. Environment: I went across the street and bought a sandwich. They began putting it in a plastic bag. I said I don't need a plastic bag. They insisted I take the plastic bag. I fought. They fought. And guess what?

They wrapped my sandwich in guilty.

3. Time: I like to think I have free time, but I don't. Most of it's been taken away (or totally ruined by Facebook). I enjoyed the time when I had it, but I no longer have the time to retrieve it. In fact, if I did ...

I would tell you that I'm guilty.

4. Media: It's true. Newspapers still exist. So when someone at a newspaper writes something disagreeable, you should remember that it's my fault and send an e-mail ...

To remind me that I'm guilty!

5. Honesty: I was brutally honest once. I said what I thought, said some more and just kept going. Not sure exactly what came over me, but obviously I was someone ...

And someone was guilty!

6. Sex: The plane had taken off and I was settling in for a long flight when I happened to catch a glimpse of the magazine in the lap of the guy next to me. He was looking at porn! My God, I thought, who reads porn on a plane? That guy! I looked up just in time to hear the flight attendant ask me if ...

I'd like some pretzels with my guilty!

7. Music: Cuts like a knife, but it feels so right. If I had to name 11 bad rock stars, Bryan Adams would consistently hover right near the top. Not only was he 9 years old during the summer of '69, he decided to call his 11th album "11." The math clearly says ...

11 times guilty!

8. Food: Restaurants hang take-out menus on my door. Nobody takes 'em. They fall. People use them to clean up after their dogs, then leave 'em. So one day I come out just in time to hear a stranger ask me why I'm standing there in a pile of filthy menus. I look down and notice ...

A menu for a restaurant called Guilty!

9. Home: I grew up in Connecticut. Most of Fairfield County is my fault. Same goes for the Mohegan Sun and Foxwoods casinos. The indecisive senator? Decidedly my fault. The other senator speaking at my high school graduation? Utterly inexplicable ...

Which explains why I'm guilty!

10. Education: Once upon a time, I went to UC Santa Barbara. Once upon a time, Sean Hannity worked at KCSB. These once upon a times? Around the same exact time. Come on! You know the refrain. Sing it with me!

Guilty guilty guilty!

11. Life: I used to love the Flaming Lips song "Do You Realize??" I listened to the lyrics. I appreciated them. I understood them. Perhaps a little too well. And then one day I realized I had stopped listening. So whether you love the song or hate the song it's about time I apologize ...

For being so guilty!

- Tim Sullivan, tsullivan@sfchronicle.com

http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/10/16/NSD213G6NO.DTL

This article appeared on page G - 3 of the San Francisco Chronicle

Thursday, October 09, 2008

game over

11 Things: Game Over

Thursday, October 9, 2008

Eleven artists participating in Giant Robot's exhibition "Game Over: Art of the Gamer Generation" discuss various aspects of growing up in a video game world.

1. Rob Sato (destruction): The only game I enjoyed any success at was Dr. Mario on the original NES system. The combination of the amazing music, Tetris-like format and dancing germs created a perfection I haven't come across since. Another favorite was Rampage. Punching down buildings and helicopters inspired total glee.

2. Jesse LeDoux (nostalgia): Never having the original Nintendo as a kid, I feel like I missed the golden years of video games. I later made up for it by playing Tony Hawk until my hands were blistered and sore (not one of my prouder moments).

3. Le Merde (media): I used to do a zine in the early '90s called Root Beer that was all about video games from the Atari 2600 era up through Super Nintendo. This art show is a great way to see how other artists have been inspired by video games.

4. Aaron Martinez (fantasy): My favorite game was probably Mega Man. I often dreamed of having a space cannon on my arm and impressing the kids at school with it. Comic books, video games and cartoons all inspired me to become an artist.

5. Sean Boyles (addiction): My favorite arcade coin-op game was Street Fighter II Hyper Edition. Even while working in the studio I still take breaks for a few rounds every now and then.

6. Joe To (devotion): My favorite game growing up was definitely Super Mario Brothers. I would trek 30 to 40 minutes to the house of the one lucky kid in the neighborhood who had it, just so I could get a little play time. Inevitably, there would be five or six kids waiting in line to play.

7. GUNSHO (fascination): Video games have such a distinct imaginative sensibility. Growing up, I was always fascinated with the low-end graphics and the exercise of suspending disbelief when controlling a blocky little character bouncing around on a screen. That little eight-bit character was a digitally diluted avatar of something greater.

8. William Buzzell (culture): For better or worse, video games have become a shared experience for a generation, one that transcends race, geography and, to a large extent, class.

9. Snaggs (colors): Video games have been a huge inspiration, especially the bright, bold colors. Probably the biggest influences were Paper Mario and Zelda for the DS. Such simple, yet incredibly effective, designs.

10. Matt Furie (memories): I did some drawings about Super Mario 2. I can still remember most of the levels. I particularly enjoyed riding the carpet and going into the mouth of the hawk after killing a boss.

11. David Horvath (love): I grew up on the Super Famicom and Japanese game imports. Giant Robot doesn't sell video games, but the goods and general vibe there capture what I felt on the inside (and still do) while living through the best of my more nerdy gamer days.

"Game Over": 6:30-10 p.m. Sat. Through Oct. 29. Giant Robot, 618 Shrader St., San Francisco. (415) 876-4773. www.gr-sf.com.

- Tim Sullivan, tsullivan@sfchronicle.com

http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/10/09/NS9513C8UP.DTL

This article appeared on page G - 3 of the San Francisco Chronicle

Thursday, October 02, 2008

superhappydevhouse

11 Things: SuperHappyDevHouse

Thursday, October 2, 2008

When we first stumbled upon SuperHappyDevHouse, we weren't quite certain what it was, but we were curious. Co-founder David Weekly was kind enough to explain:

1. The basics: SuperHappyDevHouse is an informal get-together of geeks from all around the Bay Area. Every six weeks or so, 150 programmers and designers with laptops meet up and in anarchic format work on whatever they feel like working on. Think of it as a "productive party."

2. The name: The name comes from the "Saturday Night Live" skit "Happy Fun Ball." Do not taunt the Happy Fun Ball!

3. The beginning: It started when Jeff Lindsay conceived of mixing a LAN Party (where people bring computers to play video games against each other in the same room) with productive development time.

4. The love: We're open to the public and volunteer-staffed - nobody's making money off of it. We accept donations and have sponsorship from Mohr Davidow Ventures.

5. The history: The first DevHouse was in late May 2005 and consisted of about two dozen people at my house. My company (PBwiki) was started there and is now a global organization with over 25 employees.

6. The context: This isn't the first regular nerdathon in the Bay Area. The Homebrew Computer Club ran from 1975 to 1977 and provided the roots for the creation of both Apple Computer and Microsoft. BarCamp is another "unconference" for nerds that happens periodically in the Bay Area.

7. The invites: We encourage "hackers and thinkers" and discourage recruiters and marketers. (And by "hackers" we don't mean stealing military documents or destroying the Internet. We mean creating new things.)

8. The location: The location varies but is usually at someone's home. The Web site is the best way to find out where and when the next event is happening.

9. The lightning: During the event, we let speakers talk for five minutes each about a helpful technical subject. The time limit is strictly enforced.

10. The definition: This is not a networking event (though you'll meet new people) nor a competition or conference (though there are talks and semi-famous attendees), nor a party (though people do have fun and there's sometimes music). It's an olio.

11. The details: Please come having already eaten lunch. Bring your laptop and ideally some (healthy) snacks and/or beer.

SuperHappyDevHouse 27, 2-11 p.m. Sat. $10 donation. Google, 345 Spear St., San Francisco. www.superhappydevhouse.org. (Online registration encouraged.)

- Tim Sullivan, tsullivan@sfchronicle.com

http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/10/02/NSJM138575.DTL

This article appeared on page G - 3 of the San Francisco Chronicle